Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Bartolomeo Campagnoli – 7 Divertimenti, Op 18 – Violin – edited by Enrico Polo – Ricordi. Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by $ Fuchs, Lillian – 16 Fantasy Etudes – Viola solo – International Edition | The very first chord in particular, with the extended fourth finger, is just barely playable for me on a inch viola. However, after clearing the hurdles, I’ve.
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He toured northern Europe ccampagnoli concerts in This page was last edited on 25 Decemberat This makes it extra tricky camapgnoli the left hand, as if any more challenges were needed in a piece like this! At measuresthe last beat of the measure follows with continuous eighth-notes, which creates the musical equivalent of a run-on sentence. They are so musical, and to me, much less dry than the Kreutzer.
Capricci, Op.22 (Campagnoli, Bartolomeo)
It doesn’t invite the kind of subtle music-making ivola many of the others do, however, it is not purely a technical exercise either. The latter passage was especially challenging for the stratified voicing. Even though they were published in Bonn inonly a few violinists knew about Johann Sebastian Bach’s Sonatas and Partitas. In he published Metodo per Violinoa treatise on violin playing; it can be regarded as demonstrating the style of a transitional period between the Baroque and Classical era.
The Campagnoli Project
He visited Paris inwhere he was impressed by the playing of the violinist Rodolphe Kreutzer. He resigned from the Gewandhaus Orchestra to look after his daughters’ careers; the family eventually settled in in Neustrelitzwhere he died in Wednesday, April 03, Campagnoli and Bach? The very first chord in particular, with the extended fourth finger, is just barely playable for me on a The left hand should feel as pliable as possible, as campagnkli shifts happen fluidly: So back to this caprice: In he studied further in Venice and Paduawhere Tartini still lived.
The only thing I can really do when I try to say something about music is campagnoil.
In he was appointed kapellmeister to the bishop of Freising in Bavaria. Retrieved from ” https: And a big thanks to my new recording engineer, Stuart Breczinski, for signing on to this project. Campagnoli was a virtuoso violinist who toured Europe propagating the 18th Century Italian violin style.
During Campagnoli’s time in Leipzig, the violinist and composer Louis Spohrvisiting the city where he was to give a concert, heard Campagnoli play a violin concerto by Rodolphe Kreutzer.
This makes me wonder if it it was Campagnoli and not Kreutzer or David who was the 19th-century’s first window to the solo violin music of Johann Sebastian Bach. The key of G major makes the most of the viola’s natural resonance, especially in a nice hall like the campagboli in Riverside Church that I used for the recording session. I began my professional musical life as a flutist, and spent a lot of quality time as a baroque flutist, but I no longer have my baroque flute.
I had fun working on number 15 – it’s a caprice that tends to play itself. With the long slurs, the focus in this piece is definitely on the vipla hand. Posted by Elaine Fine at I devoted a lot of time to backwards practice here!
I observed many posts ago that many of these caprices …. A Dictionary of Music and Musicians. Notice how they even break apart into a dialogue at m. I found the most difficult passage to be mm.
He wrote in his diary, “His method, it is true, is of campaggnoli old school; but his play is pure and finished. Rhythm is another way to control the musical flow.
Furthermore, if Campagnoli wants a fingering cmapagnoli takes you out of first position, he will usually indicate it.
You can see how this works for me in the video.
He left the court of the Duke of Courland, and in he was appointed concertmaster of the Leipzig Gewandhaus Orchestraa post he retained until While retaining this post he undertook tours; he toured Sweden in where in Stockholm he was campagnnoli a member of the Royal Swedish Academy of Music ; in toured European cities, mainly in Germany and Austria.
He lived for a few years in Florencewhere he studied with the violinist Pietro Nardini ; this period was influential to his career. I imagine that Kreutzer figured that Campagnoli’s technical paramaters for the viola i.
Bartolomeo Campagnoli – Wikipedia
They are important etudes for the viola because they are original for the instrument, and they are rewarding to practice. He returned home in and played in a local orchestra. The top line should always be held while the bottom one undulates: Here’s a link to the first publication of the Campagnoli Capricesand one to the publication of the Kreutzer Caprices.
Measures are a perfect example: In each, I found that besides the obvious challenge of hitting the right note, I also tended to try to leave it early – even if I nailed it.
One thing I admire in this piece is the harmonic rhythm and flow, created out of large building blocks one chord per measure.
Caprices (41) Op. 22 viola
Therefore, most of this caprice stays in first position. So, in order to play this successfully, your left arm will have to swivel slightly, back and forth to guide the LH adjustment. There isn’t much known about Campagnoli, though I did read somewhere that he was one of Rodolphe Kreutzer’s teachers, and it is certainly possible that Campagnoli learned some of his craft from Tartini, either camagnoli personal contact or through his music.